{"id":47071,"date":"2026-02-09T18:18:12","date_gmt":"2026-02-09T22:18:12","guid":{"rendered":"http:\/\/dbsjeyaraj.com\/dbsj\/?p=47071"},"modified":"2026-02-10T00:51:12","modified_gmt":"2026-02-10T04:51:12","slug":"senthamizh-thaen-mozhiyaal-magnificient-singing-by-t-r-mahalingam-%e2%99%ab%e2%99%a5","status":"publish","type":"post","link":"https:\/\/dbsjeyaraj.com\/dbsj\/?p=47071","title":{"rendered":"&#8220;Senthamizh Thaen Mozhiyaal&#8221;-Magnificient Singing by T.R.Mahalingam \u266b\u2665"},"content":{"rendered":"<div class=\"fb-like\" data-href=\"https:\/\/dbsjeyaraj.com\/dbsj\/archives\/47071\" data-layout=\"button_count\" data-action=\"like\" data-show-faces=\"true\" data-share=\"true\"><\/div>\n<p><strong>By D.B.S.Jeyaraj<\/strong><\/p>\n<p><strong>Favourite Film Songs -4<\/strong><\/p>\n<p>\u201cSenthamizh Thaen Mozhiyaal\u201dis perhaps the most popular song sung on screen by the magnificient singer and actor of Tamil cinema \u2013 Thenkarai Ramakrishnan Mahalingam generally known as T.R.Mahalingam. He sings this number in the film \u201cMaalayitta Mangai\u201dproduced in 1958  by poet and film lyricist \u201cKavignar\u201d Kannadasan who also penned the words of this  immortal song. The melody was composed by the \u201cmonarchs of light music\u201d Viswanathan \u2013 Ramamoorthy. The song is picturised in the film on TR Mahalingam,  actress Mainavathi and a troupe of dancing girls. Mainavathi is  the sister in real life  of actress Pandari Bai who also acts in the film.<\/p>\n<div id=\"attachment_47092\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-47092\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dbsjeyaraj.com\/dbsj\/wp-content\/uploads\/2016\/06\/TRM-600x800.jpg\" alt=\"TR Mahalingam (1923\u20131978)\" width=\"600\" height=\"800\" class=\"size-large wp-image-47092\" \/><p id=\"caption-attachment-47092\" class=\"wp-caption-text\">TR Mahalingam (1923\u20131978)<\/p><\/div>\n<p>The song \u201cSenthamizh Thaen Mozhiyaal, Nilaavena Sirikkum Malark Kodiaal\u201d has been one of my favourite film songs since childhood. I first heard it on radio and later saw it being sung on the screen when \u201cMaalayitta Mangai\u201d was screened at the Vel theatre in Chavakachcheri. The Vel theatre was an asbestos, aluminium and  tin structure with a single projector. So there were two intervals. The theatre screened old Tamil films every two or three days. I would frequent this theatre regularly when I was home for the school holidays. It was at \u201cVel\u201d seated on the gallery last bench, munching peanuts that I first saw  and heard TR Mahalingam sing \u201cSenthamizh Thaen Mozhiyaal\u201d on screen. In later years I got a DVD of the film and CD of the songs that I watch and listen to very often.<br \/>\n<!--more--><br \/>\nThe records and songs played on radio had only two verses or saranams but the song played out on screen had three. The full song as played out on screen is available at some you tubes too nowadays. \u201cSenthamizh Thaen Mozhiyaal\u201dhas a remarkable virutham \u201cSillendru Pootha Siru nerunjik Kaattiniley-Nillendru Koori Niruthi  Vazhi Poanaalaey&#8217;\u201d at the beginning. Mahalingam commences on a low note, gradually raising his voice higher  and ends the prelude on a very high scale of \u201cAahaaram\u201d. The song then evens out to a lower pitch  at the pallavi and anubhallavi level  and moves on to the saranams. Again Mahalingam zestfully sings another \u201cAahaaram\u201d after the second line of the first verse \u201c Kaatrinil Mithanthavaloa &#8211; Puthithaai Katpanai Vadithavaloa?\u201d It proceeds smoothly with Mahalingam singing the catchy beat on a lower note.<\/p>\n<p>As stated earlier I was hooked by the song at a very early age. Thereafter I took great delight in trying to emulate Mahalingam in singing the song to the best of my ability. I do it in private in the shower as well as in public at party sing \u2013 songs whenever I am asked to do so. It is an intricate melody and trying to emulate TR Mahalingam is no easy task. The Kamakams and sangathi\u2019s sung at a high pitch are extremely unimitable. The timbre of Mahalingam\u2019s voice is unique.Still I try to face up to the challenge whenever the occasion rises.  Trying to sing like TR Mahalingam is akin to the turkey trying to emulate the peacock\u2019s dance.One improvisation I often resort to while singing this song at parties is to wind up by singing  very  rapidly which makes it sound like a fast catchy number.<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eO3gRFz11yY?rel=0&amp;controls=0&amp;showinfo=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><em>\u201cSenthamizh Thaen Mozhiyaal\u201d on YouTube<\/em><\/p>\n<p>To strike an amusing personal note  in this respect. There is a reference to the \u201cSenthaamarai\u201d flower meaning red lotus in the first verse of the song. I  used to edit a Tamil weekly \u201cSenthaamarai\u201d in Toronto during the early nineties of the last century. The chief partner owning \u201cSenthaamarai\u201d then was Mr. Sinnadurai Senthivel in whose house the paper\u2019s editorial office functioned. At  \u201cspirited\u201d sing song sessions, \u201c Senthil uncle\u201d  as I call him would request me to sing \u201cSenthamizh Thaen Mozhiyaal\u201d. When I came to the \u201cSaetrinil Malarntha Senthaamaraiyo. Sevvanthi Poocharamoa\u201d line, Senthil uncle would do a small \u201cKaavadi\u201dtype dance carrying a small chair or stool.Those were indeed happy times and I mention it here to illustrate how this song has been part and parcel of my life.<\/p>\n<p><strong>\u201cMaalayitta Mangai\u201d<\/strong><\/p>\n<p>Though TR Mahalingam has sung many great songs this \u201cSenthamizh Thaen Mozhiyaal\u201d remains the most popular of his film solos. It is TR Mahalingam\u2019s signature song. It was this song that contributed most to the commercial success of \u201cMaalayitta Mangai\u201d when the film was screened first on May 16th 1958. The film and song are to some extent inter-woven with the life of TR Mahalingam.  The singer \u2013actor was virtually in oblivion when the film was  made.The success of the film and song helped TR Mahalingam rise from the ashes like the phoenix.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dbsjeyaraj.com\/dbsj\/wp-content\/uploads\/2016\/06\/Maalaiyitta_Mangai_Poster_.jpg\" alt=\"Maalaiyitta_Mangai_Poster_\" width=\"389\" height=\"256\" class=\"aligncenter size-full wp-image-47080\" \/><\/p>\n<p>TR Mahalingam  whose hallmark was his ability to sing intricate classical and semi classical numbers melodiously in a high \u2013pitched resonating voice was  at one time a very  popular actor \u2013 singer of Tamil cinema. He was regarded as the \u201csinging successor\u201d of legendary S. G. Kittappa who was married to \u201cKodumudik Koakilam\u201d K. B. Sundaraambaal. Encouraged  by the financial  successes of his films , TR Mahalingam turned producer and formed his own Sukumar films named after his son.<\/p>\n<p>Mahalingam produced several films on his own and acted in them. Those  films however  fared miserably at the box \u2013 office. Once Mahalingam became his own producer , other film makers stopped featuring him in their films. Mahalingam also maintained a luxurious  life-style , building two  huge mansions(for   home and office) in Chennai then known as Madras .He also  owned  14 cars including   cadillacs.Soon the high \u2013 flying Mahalingam was in dire financial straits. In 1955 he declared bankruptcy and retired in shame to his native Thenkarai by the Vaigai river in Madurai district.<\/p>\n<p>It was then that Kannadasan approached the out of work  Mahalingam and booked him for his film. Kannadasan then a political leader of the Dravida Munnetra Kazhagham (DMK) was longing to break free of melodic imposition. What happened mostly in film making those days  was  that the director and music director would decide upon the number of songs and when  and where they were to  be featured in a film.Thereafter the music director composes appropriate tunes for the song. It is only after that the  film lyricists are told of the particular situation for the song and asked to write the words. However the lyricist has to write suitable  words to fit in with the tune.<\/p>\n<p><strong>\u201cKavignar\u201dKannadasan<\/strong><\/p>\n<p>Thus  most of the lyricists who were also poets found the limits imposed by the pre-composed melody cramping their creativity to some extent. This was so in the case of \u201cKavignar\u201d Kannadasan too. In a bid to break free of this \u201cMettu Chirai\u201d(melodic prison), Kannadasan decided to produce his own film and write all the songs himself. As producer he would write the lyrics first and then get the music director to compose approprate  melodies instead of the other way about. So the poet lyricist formed his own company Kannadasan films and set about producing a film.<\/p>\n<div id=\"attachment_47087\" style=\"width: 160px\" class=\"wp-caption alignright\"><img aria-describedby=\"caption-attachment-47087\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dbsjeyaraj.com\/dbsj\/wp-content\/uploads\/2016\/06\/KK-150x150.jpg\" alt=\"&quot;Kavignar&quot; Kannadasan\" width=\"150\" height=\"150\" class=\"size-thumbnail wp-image-47087\" \/><p id=\"caption-attachment-47087\" class=\"wp-caption-text\">&#8220;Kavignar&#8221; Kannadasan<\/p><\/div>\n<p>Kannadasan chose the novel \u201cChandra Nath\u201d written by Bengali author Sarathchandra Chatterjee. A trio comprising S. Aiyappilaai, Thamilzhpithan and DN Subramaniam were assigned the task of adapting the story to suit a Tamil ethos and write the screenplay. Kannadasan wrote the dialogues for the film and all the songs. He entrusted the task of composing music to the M. S. Viswanathan \u2013T.K. Ramamoorthy duo. MSV or Viswanathan and Kannadasan shared a very special relationship. Kannadasan wrote seventeen songs in all for the film. MSV \u2013 TKR composed melodies to suit the words for Thirteen of them. Four songs however had to be written to fit the tunes.<\/p>\n<div id=\"attachment_47079\" style=\"width: 293px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment-47079\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dbsjeyaraj.com\/dbsj\/wp-content\/uploads\/2016\/06\/TR-M.jpg\" alt=\"TR Mahalingam\" width=\"283\" height=\"256\" class=\"size-full wp-image-47079\" \/><p id=\"caption-attachment-47079\" class=\"wp-caption-text\">TR Mahalingam<\/p><\/div>\n<p>After the lyrics were written and melodies composed , Kannadasan felt that only a seasoned singer \u2013 actor like TR Mahalingam could do justice to the  lead role required to sing exquisite film songs. So he went in search of Mahalingam languishing in Thenkarai and signed a contract. As stated earlier Kannadasan was a DMK leader. The Dravidian movement was heavily biased against Brahmins. TR Mahalingam was a Brahmin. So many DMK stalwarts protested against Mahalingam acting in the film. Kannadasan was not deterred. TR Mahalingam came to Chennai for the three month shoot at Bharani studios owned by actress \u2013 singer Bhanumathi.<\/p>\n<p>The film was a smashing success. The songs were all hits. \u201cSenthamizh Thaen Mozhiyaa\u2019\u201dwas a super hit. When Mahalingam went to theatres to gauge audience reaction to the film, enraptured youths carried  him on their shoulders,  singing \u201cSenthamizh Thaen Mozhiyaal\u201d. The film and song  provided TR Mahalingam a new lease of screen life and he was booked for several new films. \u201cMaalayitta Mangai\u201d also boosted Kannadasan\u2019s image as a song writer. It also gave a fillip to the Viswanathan \u2013 Ramamoorthy duo. Furthermore the film featured the debut of famous  actress Manorama. She went on to act in more than 1500 films in five decades  thus entering the Guinness book of  records.<\/p>\n<p>The greatest  achievement of \u201cMaalayitta Mangai\u201d was the popularity of its songs. The finest and most popular number was  of course \u201cSenthamizh Thaen Mozhiyaal\u201d. The words written rhythmically in alliterative form by Kannadasan was a strong point. Some of his lines were poetic gems like for instance \u201cPaingani Idhalil Palarasam Tharuvaal, Parugidath Thalai Kunivaal\u201d. Here Kannadasan couches  a \u201clip to lip kiss\u201d with a literary flourish saying in Tamil \u201cshe serves juice on her fruity lips and bows her head (Shyly)after drinking\u201d.<\/p>\n<p><strong>Viswanathan &#8211; Ramamoorthy<\/strong><\/p>\n<p>The verses of Kannadasan are enhanced tremendously by the captivating melody of Viwanathan \u2013 Ramamoorthy. The duo has based the tune on the carnatic raga Kapi. The Hindustani raag equivalent to Kapi is Pilu. Interestingly enough the V-R duo\u2019s original inspiration for the \u201cSenthamizh Thaen Mozhiyaal\u201d melody was a song composed for a Hindi film  by music maestro Naushad  Ali. Viswanathan from a very young age looked up to Naushad and had been inspired by many of his compositions. It is said that when Viswanathan once described how he had adapted the Hindi film composers tunes in Tamil film songs , Naushad had been amazed. Naushad had said that he would never have recognized the influence of his compositions in the Tamil song melodies if Viswanathan had not illuminated him.<\/p>\n<div id=\"attachment_47095\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-47095\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dbsjeyaraj.com\/dbsj\/wp-content\/uploads\/2016\/06\/TKR-MSV-600x461.jpg\" alt=\"T.K.Ramamurthy &amp; M.S.Viswanathan\" width=\"600\" height=\"461\" class=\"size-large wp-image-47095\" \/><p id=\"caption-attachment-47095\" class=\"wp-caption-text\">T.K.Ramamurthy &#038; M.S.Viswanathan<\/p><\/div>\n<p>The first Hindi film in technicolour was \u201cAan\u201dmade in 1952 by director Mehboob Khan. The film starred Dilip Kumar, Nimmi and Premnath. It was also the debut of actress Nadira who was of Jewish heritage. Shakeel Badayuni wrote the lyrics while Naushad Ali composed the music. One of the popular songs in \u201cAan\u201d was  the solo \u201cMohabbat Choome Jinke Haath\u201d sung by Mohammed Rafi. It is picturised on Dilip Kumar.<\/p>\n<p>The very successful \u201cAan\u201d was dubbed into Tamil also and released under the title \u201cMurattu Adiyaal\u201d. The song\u201cMohabbat Choome Jinke Haath\u201dwas  rendered into Tamil by lyricist Kambadasan.The solo  was titled as \u201cMohamutham Tharum\u201d in Tamil and was  sung by S. M. Sarkar. If and when one listens to the Hindi and Tamil songs one is able to easily discern that the Viswanathan \u2013 Ramamoorthy duo has utilised the basic tune  from a few lines of  Naushad\u2019s original in a  faster beat with a livelier  tempo.  The finished product of Visvanathan and Ramamoorthy sounds totally different to that of Naushad and  is in some ways even  superior.<\/p>\n<div id=\"attachment_47082\" style=\"width: 253px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment-47082\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dbsjeyaraj.com\/dbsj\/wp-content\/uploads\/2016\/06\/ST.jpg\" alt=\"&quot;Senthamizh Thaen Mozhiyaal&quot;\" width=\"243\" height=\"225\" class=\"size-full wp-image-47082\" \/><p id=\"caption-attachment-47082\" class=\"wp-caption-text\">&#8220;Senthamizh Thaen Mozhiyaal&#8221;<\/p><\/div>\n<p>What makes \u201cSenthamizh Thaen mozhiyaal\u201dexcel is the qualitative singing of T. R. Mahalingam.The well known Carnatic musician and singer Charulatha Mani wrote a  popular series of articles titled \u201cA raga\u2019s journey\u201d in \u201cThe Hindu\u201d. While writing about the raga \u201cKapi\u201d Charulatha Mani had this to say \u2013 \u201c The film Malayitta Mangai had several super-hits, the crowning jewel being \u2018Sentamizh Thenmozhiyal\u2019 sung by T.R. Mahalingam. This piece has got some of the most intricately vocalised sangatis in Kapi. Try keeping pace with the colossal sweep in \u2018Kaatrinil Pirandavalo&#8230;\u2019&#8230;., you will see what I mean. M.S. Viswanathan \u2014Ramamoorthy have surpassed themselves in this piece\u201d.<\/p>\n<p><iframe loading=\"lazy\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/S0Uh7aisKBs?rel=0&amp;controls=0&amp;showinfo=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><em>Female version<\/em><\/p>\n<p><strong>K.Jamuna Rani<\/strong><\/p>\n<p>Apart from the  male version sung by TR Mahalingam there  is another  female version of the song sung by popular singer K. Jamuna Rani. Unlike the joyful song of Mahalingam the Jamuna Rani solo is a poignant sad version. It is picturised on Mainavati who sings it sadly as Mahalingam in the film departs from her in a huff. The words are a variation from the earlier one sung by TR Mahalingam.<div id=\"attachment_47081\" style=\"width: 126px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment-47081\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/dbsjeyaraj.com\/dbsj\/wp-content\/uploads\/2016\/06\/hqdefault-1.jpg\" alt=\"TR Mahalingam\" width=\"116\" height=\"97\" class=\"size-full wp-image-47081\" \/><p id=\"caption-attachment-47081\" class=\"wp-caption-text\">TR Mahalingam<\/p><\/div>Here they convey a poignant mood full of pathos. Jamuna Rani was personally chosen by Kannadasan to sing the solo  and she has certainly done remarkably well. Unfortunately the popularity of  the  happy version sung by Mahalingam has somewhat eclipsed the sad version sung by Jamuna Rani.<\/p>\n<p><em><strong>DBS Jeyaraj can be reached at <a href=\"mailto:dbsjeyaraj@yahoo.com\"><font color=\"\">dbsjeyaraj@yahoo.com<\/font> <\/a><\/strong><\/em><\/p>\n<div id=\"tweetbutton47071\" class=\"tw_button\" style=\"float:right;margin-left:10px;\"><a href=\"http:\/\/twitter.com\/share?url=https%3A%2F%2Fdbsjeyaraj.com%2Fdbsj%2F%3Fp%3D47071&amp;text=%26%238220%3BSenthamizh%20Thaen%20Mozhiyaal%26%238221%3B-Magnificient%20Singing%20by%20T.R.Mahalingam%20%E2%99%AB%E2%99%A5&amp;related=&amp;lang=en&amp;count=horizontal\" class=\"twitter-share-button\"  style=\"width:55px;height:22px;background:transparent url('https:\/\/dbsjeyaraj.com\/dbsj\/wp-content\/plugins\/wp-tweet-button\/tweetn.png') no-repeat  0 0;text-align:left;text-indent:-9999px;display:block;\">Tweet<\/a><\/div>","protected":false},"excerpt":{"rendered":"<p>By D.B.S.Jeyaraj Favourite Film Songs -4 \u201cSenthamizh Thaen Mozhiyaal\u201dis perhaps the most popular song sung on screen by the magnificient singer and actor of Tamil cinema \u2013 Thenkarai Ramakrishnan Mahalingam generally known as T.R.Mahalingam. He sings this number in the film \u201cMaalayitta Mangai\u201dproduced in 1958 by poet and film lyricist \u201cKavignar\u201d Kannadasan who also penned &#8230;<\/p>\n<p><a href=\"https:\/\/dbsjeyaraj.com\/dbsj\/?p=47071\" class=\"more-link\">Continue reading &lsquo;&#8220;Senthamizh Thaen Mozhiyaal&#8221;-Magnificient Singing by T.R.Mahalingam \u266b\u2665&rsquo; &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,12,6],"tags":[],"_links":{"self":[{"href":"https:\/\/dbsjeyaraj.com\/dbsj\/index.php?rest_route=\/wp\/v2\/posts\/47071"}],"collection":[{"href":"https:\/\/dbsjeyaraj.com\/dbsj\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dbsjeyaraj.com\/dbsj\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dbsjeyaraj.com\/dbsj\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dbsjeyaraj.com\/dbsj\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=47071"}],"version-history":[{"count":23,"href":"https:\/\/dbsjeyaraj.com\/dbsj\/index.php?rest_route=\/wp\/v2\/posts\/47071\/revisions"}],"predecessor-version":[{"id":87003,"href":"https:\/\/dbsjeyaraj.com\/dbsj\/index.php?rest_route=\/wp\/v2\/posts\/47071\/revisions\/87003"}],"wp:attachment":[{"href":"https:\/\/dbsjeyaraj.com\/dbsj\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=47071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dbsjeyaraj.com\/dbsj\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=47071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dbsjeyaraj.com\/dbsj\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=47071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}